University of California Standing Committee on Copyright
October 31, 2000
10 am – 3 pm
UC Office of the President, Oakland


Members present: Acanfora, Berck, Borgman, Campbell, Cowan, Hume, Kurtz, Lucier, MacDonald, Matkin, Smith, Zelmanowitz
Members absent: Hecht, Wienhausen 
Guests Catherine Candee, Director of Scholarly Communication Initiatives, California Digital Library; Robert Tacconi, UCOP Student Academic Services (morning only)
Staff: Lawrence

1. Preliminaries
 
Background materials: Standing Committee on Copyright Roster

1.a. Welcome and introductions. Hume convened the meeting at 10:10. Members and guests introduced themselves.
1.b. Review of meeting objectives. The meeting objectives were reviewed.
MEETING OBJECTIVES

1.  Review the outcome of AB 1773 and advise on processes for UC compliance with its provisions.
2.  Discuss issues related to acceptable use of UC course content and materials, and devise a strategy for addressing these issues over the current academic year.
3.  Receive a report on progress in the University’s eScholarship initiative, and discuss the copyright implications.
4.  Develop a strategy for addressing University copyright education and information needs
5.  Review and discuss the Principles for Emerging Systems of Scholarly Publishing ("Tempe Principles")

2. Basic Copyright Principles

2.a. Issues related to Classroom Presentations – AB 1773 2.a.i. Legislative outcome
Background Material: Assembly Bill 1773 (Chapter 574, Statutes of 2000).

Lawrence briefly summarized the characteristics of the legislation signed by the Governor and chaptered in September 2000, noting that the bill requests the University of California to do two things: a) develop policies, in consultation with faculty, prohibiting unauthorized recording, dissemination and publication of academic presentations for commercial purposes (§66452(a)), and b) adopt regulations setting out penalties for students who violate these provisions (enrolled students are specifically exempted from the civil penalties provided in the act) (§66452(b)). In discussion it was observed that the bill as written a) may prevent students from distributing notes to fellow students, b) does not explicitly cover recordings, c) prevents faculty from making any commercial use of course notes except as provided by institutional policies to be developed under the provisions of §66452(a); and d) UC has standing to sue under the act only if the University adopts its provisions.

2.a.ii.  Planning for UC compliance
Background Material:
  • UC Policies Applying to Campus Activities, Organizations, and Students: Policy on Student Conduct and Discipline, § 102.08 (proposed)
  • SCC Resolution A: Recommended University of California Response to the Enactment of Assembly Bill 1773 (Draft)

Lawrence and Tacconi reviewed the review of student conduct regulations currently underway under the leadership of the UCOP Office of Student Academic Services, including newly-introduced provisions intended to address the student conduct aspects of AB 1773. Hume noted that UCLA has brought forward policies and regulations based on AB 1773, but MacDonald expressed the view that to have legal effect the University, not individual campuses, must adopt AB 1773. In subsequent discussion, it was suggested that a) the phrase "or using them" be deleted from draft student conduct policy 102.08; b) "permission of the instructor" is not a sufficient condition to protect institutional interests; and c) there are objectionable non-commercial uses, as well as the commercial ones addressed by the act. Berck suggested that a UC response should address the following points: 1) policy should address all media, including contemporaneous recordings; 2) policy should emphasize the obligations of faculty and students to each other, whether or not commercial use is involved; 3) policy should clarify the role and scope of permission by the institution, as well as by the faculty member; 4) the response should emphasize that authorization to record and/or commercialize should not be granted inadvertently (i.e. explicit permission should be require in all cases); and 5) policy should emphasize the importance of and make explicit provision for written consent.

It was the sense of the Committee that Resolution A should be revised to cast the issue in general terms, rather than focusing on the specific provisions of the Act, and that deliberations on this matter should be informed by the policies and regulations currently in force at UC campuses, particularly UCB and UCLA. Action: Lawrence will revise Resolution A for review by the Committee. Action: Lawrence will obtain and distribute the relevant policies and regulations from UCB and UCLA.

3. Universitywide Copyright Policies

3.a. Acceptable use of UC course content and materials
Background Material:

Hume began the discussion by emphasizing that the Committee should be guided by the principle that UC policies should be crafted to enhance, not limit, the creativity of the faculty. He noted that the Tempe Principles (see item 6.a. below) start with the position that faculty own their scholarly works, and ask faculty to use their copyright rights responsibly in the interests of scholarship. Hume also noted that attempts to provide systematic education to faculty while the question of "ownership" of teaching materials remains murky is unlikely to be successful (see also item 5.a. below). In connection with the work of this committee and discussions among AAU Chief Academic Officers, Hume has been examining the policies of other institutions. Most policy approaches begin with the simple assumption that the creator has ownership of scholarly work unless work-for-hire provisions apply. Existing policies generally assert institutional ownership a) as a provision of a specific contract or agreement; b) as a provision of an extramural grant or contract; or c) when substantial institutional resources are used in the creation of the work. Institutions differ, however, on their approach to application of these general principles. Columbia and MIT, for example, proceed from the assumption of institutional ownership and define the specific exceptions in which the creator will hold copyright. The University of Oregon takes a middle ground in this continuum, although its policies are among the few that assert an institutional interest in textbooks. Many institutions (the University of Illinois and George Washington University are examples) proceed from the assumption that the creator is the owner, and articulate the circumstances in which the institution may have an ownership interest. The California State University has a particularly straightforward policy (developed with the CETUS consortium consisting of CSU, SUNY and CUNY) based on ownership by the creator, with specific definitions of "substantial University resources.

Discussion focused on appropriate goals for policy, some issues arising in formulating policy, and a variety of policy strategies:

1)  Goals

    a)  Policy should be simple, reassuring to faculty, and productive.
    b)  Make it easy for interests to define their relationships and arrive at agreements.
    c)  Policy could be formulated to cover the "default" situation, with procedural provisions to handle exceptions.
    d)  Ownership of a "course" must recognize and preserve the institutional interest. Part of the intellectual property value of a "course" consists of the selection and ordering of instructional "objects" – this both involves the appropriate use of the intellectual property of others, and invokes the role of the institution and the faculty as a whole in defining the curriculum.
2)  Issues
    a)  Administration and management of UC patent policy and individual patents involves some 70 staff at UCOP, but disclosure of patentable discoveries is voluntary, and Acanfora estimates that perhaps 30% of protectable inventions are captured (probably less than one percent for electrical engineering/computer science). In patent policy, enforcement results from the affirmative obligation to disclose. How can we impose an obligation on the faculty to foresee the possibilities and disclose the "deal" for copyrightable works?
    b)  A basic "creator owns" policy does not address two critical issues: a) use of substantial University resources, and b) joint, multiple and serial authorship.
    c)  Public goods/fair use/access considerations should not be neglected.
    d)  Students as (co-) authors cannot be compelled to contract.
    e)  The "designated by the Chancellor" rule in current policy for determining "substantial University resources" is not workable.
    f)  Use of the University name is governed by UC policy on use of the UC name and seal, and Education Code §92000.
    g)  A "course" is something different from "course material." Consideration of the "course" as a whole involves the intersection of copyright and conflict of interest/commitment policies.
3)  Strategies
    a)  Ownership is important, but not sufficient. "Who owns" may be the wrong question. Good policy should emphasize the importance of explicit agreements among the parties.
    b)  Berck tried out on UCEP the concept that UC has non-exclusive rights in a course syllabus (including the right to use with another faculty member or use after the originator had left UC), and that the faculty have the (non-exclusive) right to modify or to take with them to another institution). UCEP found this formulation acceptable.
    c)  Is the 1992 copyright ownership policy fatally flawed, or can it be amplified and clarified with specific guidelines?
    d)  Most commercial products result from an agreement made in advance of the product’s creation. It might be possible to create an OTT-like administrative function to channel commercial activities. In this approach, faculty might be expected to disclose use of "substantial University resources" up front, e.g., "if you plan to use…."
    e)  Making provision for a paid-up, royalty-free, non-exclusive institutional license might satisfy the institution’s interests.
    f)  As course teaching responsibilities are assigned to faculty, the resulting course could be considered a "commissioned work" for policy purposes.
    g)  A campus "advisory committee on copyright" could a) advise on disputes between individuals and the institution, and b) recommend resolution of specific disputes.
    h)  The issue of "substantial University resources" could be addressed by a) establishing an unambiguous threshold covering routine situations (and optionally providing a guideline for allocation of royalties in these simple cases), and b) establishing a committee of faculty peers to judge the situations not adequately addressed by the policy threshold.
    i)  If there is no agreement "up front," a dispute could then trigger an implicit "arbitration clause," invoking, e.g., the committee of faculty peers.
    j)  How can the parties be bound to the decisions of an arbitration panel, particularly as long as fundamental rights are unclear?
    k)  The arbitration panel concept embodies a fundamental inconsistency: a) faculty-based, b) advisory to administrative decisions, and c) expert in the issues.
Subsequent to the discussion, the Committee endorsed Resolution B, and appointed the SCC subcommittee called for in the Resolution, to consist of Kurtz (chair), Berck, MacDonald, and Matkin; Lawrence will provide staff support. The Committee asked the subcommittee to prepare for the next SCC meeting a one or two page draft of key elements to be considered in framing a policy/strategy. Action: the Committee endorsed SCC Resolution B. Action: Kurtz, with support from Lawrence, will convene the subcommittee called for in Resolution B and prepare a brief discussion paper for the Committee’s next meeting.

4. Innovative Uses of Copyrighted Works

4.a. eScholarship Overview
Background Material: eScholarship Web Site: Selected Printouts (CDL 10/23/00).

Lawrence introduced Catherine Candee, the California Digital Library’s Director of Scholarly Communication Initiatives. Candee remarked that, as the CDL changes its focus from management of published digital content to support for its creation and dissemination, the eScholarship program plays a key role in the effort to apply technology to innovation in scholarly communication. It does this chiefly by identifying promising scholar-led experiments, tracking new technological developments, and bringing these together to provide support for innovations. In appraising experiments and technologies, the program looks for opportunities that a) have the potential to transform scholarly communication, b) are ready for publication (e.g., the Dermatology Online Journal), c) foster collaboration within and across disciplines (e.g., the Electronic Cultural Atlas Initiative), and/or d) test communication models that might expand to and benefit broader communities of scholars (e.g. the Tobacco Wars project). Candee briefly reviewed the scholarly communities with which eScholarship is currently working, and enumerated the scholarly communication and publishing models currently under development, where emerging practice may challenge existing thinking about copyrights. These models include:

The ensuing discussion touched upon the uncertainties engendered by new modes of scholarly communication, including the need for new business models for their production, maintenance, and ownership, and the intersection of these developments with the traditional purposes of copyright ownership in academia (tenure and promotion, prestige, control over misuse, economic return).

5. Continuous Universitywide Education on Copyright

5.a. Copyright education programs – continuing discussion
Background Materials:
  • Copyright Information and Education: Issues and Stakeholders (Staff working paper 10/13/00)
  • SCC Resolution C: Strategies for Development of Continuous Universitywide Education on Copyright Matters (Draft)

Hume reported that this matter had been discussed with the Council of Vice Chancellors, who expressed willingness to cooperate if the nature of their commitment could be specified. Lawrence discussed the background material and the proposed resolution on this matter, explaining that campus stakeholders and expertise in copyright-related areas are widely diffused and variously organized. As UCOP currently has no specialized staff resources that can be devoted to organizing, coordinating and leading a copyright education program, and campus resources are widely distributed, the most productive path appears to be to work with the Council of Vice Chancellors to facilitate and coordinate the development of a campus-led program of copyright information and education.

Discussion revolved around two general themes: structure and organization, and program strategies.

    1)  Structure and Organization: a successful program will need:
      a)  A Universitywide capability for leadership and coordination
      b)  A well-coordinated all-campus structure
    2)  Program Strategies
      a)  Identify and evaluate model programs; use test campuses and phased implementation (it was noted that UCD has a good program, under Janet Hamilton)
      b)  Consider eScholarship as a model: provide basic information, provide a bibliography of more specialized material
      c)  Faculty need project-based advice and services; UCLA, for example, is rebuilding its tech transfer activity as an intellectual property service
      d)  Focus on training-the-trainer programs
      e)  Leverage campus resources and expertise through planned specialization, where each campus develops specialized skills that can be made available to the Universitywide community.
    3)  Additional comments:
      a)  A multipronged effort will be necessary, including a PR campaign
      b)  It is important that the program quickly be perceived as effective
      c)  Consideration must be given to learning objectives, target audience, the audience’s initial state of knowledge, delivery methods
Hume summarized the discussion by stating that the following elements seemed essential to a successful copyright education program:
1)  A Universitywide resource for leadership and coordination, supplemented by clearly designated leadership at each campus.
2)  A focus on educating campus administrators in all relevant areas at all levels
3)  A highly effective Web-based informational resource
4)  Direct-to-faculty delivery of essential information
Reiterating an earlier point, Hume stated that it clearly would not be possible to move forward with an education program until the SCC’s subcommittee (see item 3.a. above) had completed its work and a working consensus on the "course ownership" issue had emerged.

Action: Staff will prepare a one-page summary of issues and alternatives for the Committee’s consideration at the next meeting. Action: The Committee Chair will write to the Provost advocating the establishment of defined senior staff support for a Universitywide copyright function (including education, communication, and intellectual property services).

The Committee took no action on draft Resolution C.

6. National discussions and initiatives

6.a. Principles for Emerging Systems of Scholarly Publishing ("Tempe Principles")
Background Material: Principles for Emerging Systems of Scholarly Publishing ("Tempe Principles"), 5/10/00 (<http://www.arl.org/scomm/tempe.html>)

Hume provided a brief review of the origins and main points of the "Principles," focusing chiefly on Principle 6 ("In negotiating publishing agreements, faculty should assign the rights to their work in a manner that promotes the ready use of their work and choose journals that support the goal of making scholarly publications available at reasonable cost"). In a brief but wide-ranging discussion, it was observed that a Committee endorsement of the "Principles" could be misinterpreted by some UC constituencies. It was agreed that no action by the Committee was necessary at the present time, but that the concepts of Principle 6 should be woven into the education program.

7. Next meeting
 
Background Material: SCC 2000-01 Work Plan (4/25/00)

Action: The Committee will meet again in January-February and in April-May.

The meeting was adjourned at 2:45 p.m.